WriChal #9 - The one in the middle
Posted: Wed May 11, 2005 5:14 pm
First, read Margaret Atwood's story Happy Endings.
Part 1. Then, write a short (1 to 2 paragraphs) beginning to a story and a short (again, one to two paragraphs) ending to a story, where the ending is consistent in tone/voice and 'fits' with the expectations raised in the middle.
Part 2. Taking the beginning and ending you wrote for part 1, and draft up at least two sample plot outlines (major events, etc) that lead from the beginning to the ending.
Part 3. If you're really ambitious, turn one of the outlines into a short story. ^.^
The objective: to recognize the myriad paths that can be taken from point A to point B - each with its own story, sometimes only subtly different, sometimes wildly.
Every story should have a strong beginning - it's what draws the reader in and makes them choose your work from all the others to read. Every story should also have a strong ending, the conclusions and climaxes the provide resolution. There are many exercises that focus on both, but often it seems that the innards - the bulk of the story - don't get the focus or the work they need.
Part 1. Then, write a short (1 to 2 paragraphs) beginning to a story and a short (again, one to two paragraphs) ending to a story, where the ending is consistent in tone/voice and 'fits' with the expectations raised in the middle.
Part 2. Taking the beginning and ending you wrote for part 1, and draft up at least two sample plot outlines (major events, etc) that lead from the beginning to the ending.
Part 3. If you're really ambitious, turn one of the outlines into a short story. ^.^
The objective: to recognize the myriad paths that can be taken from point A to point B - each with its own story, sometimes only subtly different, sometimes wildly.
Every story should have a strong beginning - it's what draws the reader in and makes them choose your work from all the others to read. Every story should also have a strong ending, the conclusions and climaxes the provide resolution. There are many exercises that focus on both, but often it seems that the innards - the bulk of the story - don't get the focus or the work they need.